Saturday, June 24, 2023

Where the West REALLY Began

 Fort Worth, Texas, is known as the place "Where the West Begins".  Not so fast....  There have been many places in the United States where the West has begun.  Perhaps you think of St. Joseph, Missouri, the jumping off point for covered wagon travel.  Or, it could be the western end point of the Erie Canal.  This week we visited a place which is where the West truly began:  Fincastle, Virginia, founded in 1770.  If you arrived in the American Colonies in the 18th century at Philadelphia, the largest city in Colonial America, you quickly determined the free land of Pennsylvania was already claimed.  A significant number of immigrants, first the Scotch-Irish and then German immigrants moved down the Great Valley Road on their way to the Shenandoah Valley and points west.  Many stopped at Fincastle, the County Seat of Botetourt County, Virginia, to resupply to continue travel into the unknown western wilderness of Kentucky, Ohio, Iowa and Illinois.  


Botetourt County included all the land shown, but all new potential settlers saw was uninhabited wilderness where they could claim as much land as they could take back from the gigantic forest which covered it.  Of course, there were multiple tribes of Native Americans living in this supposedly uninhabited area including the Creek, Cherokee, and the Shawnee to name a few.  The clash of the European and the Native American cultures began in earnest as more Whites arrived in the British Colony.  Prominent Virginians, including George Washington, Patrick Henry and Thomas Jefferson, arrived in Fincastle or sent their agents, to 'claim' large tracts of land.

Fincastle was built in the 1770, and incorporated in 1772.  It was a town of merchants and lawyers.  As the county seat, it boasted of a magnificent courthouse which would later be rebuilt in the Jeffersonian style.  If you could afford it, you could supply yourself to move deeper into Botetourt County.  The county was named for one of the few Colonial Governors who actually arrived in the New World to govern.  It was much more common to hire a 'Lieutenant Governor' who would actually make the arduous sea voyage and govern the colony.  

Today, the entire town of Fincastle, Virginia is an architectural wonder of buildings constructed in the 18th and 19th centuries on the spot where they still remain. I spent quite awhile studying a map of the enormous county to get a feel for what Colonial Virginia at the edge of the wilderness looked like to the immigrants.  (Dotted lines are 'roads'- mainly trails through the massive forests.)

Modern Fincastle is a small town about 16 miles from Roanoke.  Since we arrived in Roanoke, it's been raining.  The day we visited Fincastle, like idiots we walked around locating the historic buildings in the drizzling rain. (The brochure pretty much melted by the end of the day!) We began our visit at the Fincastle Historical Society Museum.  This is a small museum housed in a 19th century home.  The museum collection is of ordinary objects mostly donated by local residents.  My favorite object was dug up by a local resident as she was gardening.  Boy, was she surprised to find this slate sun dial dating from the 1790's.

I also liked the traveling kitchen from the 18th century.  Those are pewter plates, an iron mortar and pestle, an axe head, cooking utensils, and a lantern.  It would be carried on the back of either a handcart or a wagon as an immigrant (sometimes accompanied by family) moved into the wilderness.


Fincastle was devastated not just by one fire, but two, one in 1820 and the other in 1870. The courthouse as well as most of the 18th century houses on central Main St. were destroyed.  The museum has two of the items left from the original 1770 courthouse:  a large bell and the original witness chair.


(Sorry about the poor picture, but it was behind glass & it picked up the glare in the room.)  I could have done without the 'model' in the witness chair in an inappropriate dress.  It would never have been red, and unlikely to have been trimmed in lace.  Also, the testimony of women in any kind of trial would have been severely limited in the 18th century. 
 
Nevertheless, having a 24' x20' courthouse with accompanying sheds to each side in 1770 would have been an impressive structure.   All of the early structures in Fincastle would have been made of hand hewn logs, covered by clapboards - a luxury.  Fire was a constant hazard.  Most of the centrally located buildings, including the courthouse, were consumed by the two fires (1820 and 1870).  Fortunately, the country records were kept inside an iron safe inside the courthouse and the safe along with the records survived the fires.  Fincastle was such a lucrative location, with unlimited building supplies (logs), the structures were re-built, and the town continued to prosper.

While I found the colonial artifacts the most interesting, the museum also displayed additional artifacts from later periods.  The furniture was also beautiful.  Here's a restored 18th century spinet which was found in terrible shape in an old barn.  The craftsmen at Williamsburg restored it.  The price was the right to show it at Williamsburg for a number of years.  Then, it was returned to Fincastle.


The biggest attraction at Fincastle are the buildings.  There are numerous buildings from the 18th and 19th centuries.  The 18th century houses were built out of hand hewn logs, then if able to be afforded covered by clapboard.  We found one house (on the National Historic Register) which has been restored to the exterior logs. This is the Crowder house, circa 1791.


  Another building constructed in 1872 and restored to the original logs was a 'destination hotel' for coastal visitors escaping the summer heat and more importantly the mosquitoes which caused Yellow Fever.  The monthly rate in the 1880's was $25 a month.  That's Drake in the blue rain jacket.
As we were walking around, Drake reading the melting brochure, and me taking pictures, one of the owners of an 18th century house came outside and invited us into a portion of his house.  I was especially interested in the stonework around the fireplace, outer wall, and the hand hewn logs running along the ceiling.  All the stones are hand placed.  There is no mortar between the stones.




Due to the lousy weather, we stopped in at the Pie Shoppe and had wonderful homemade pies.  True to the Southern tradition, we had just sat down when we were quizzed by two separate employees (and I quizzed them right back) about where we were from, why were we in Fincastle, etc.  Discovering how truly wet we were, and full of pie and coffee, we called it a day after seeing only about one-fourth of the homes/buildings.  However, as usual, I took plenty of pictures.  Look at them individually, one after the other, to see the captions.





 
   


Tuesday, June 20, 2023

Seagrove, North Carolina

I got ALL whipped up when I toured the miniscule Greenville, NC art museum.  Did they have fabulously unexpected pictures or sculptures?  No.  Did they have world recognized artists?  No.  So, you ask, why did I get my panties in such a twist?  The tour guide clued me into SEAGROVE, NC., arguably the hand made pottery capital of the United States.  I immediately got Drake on board to visit this podunk town, population 200, with one stoplight.  I even made arrangements to stay overnight at the Duck Smith B & B, a turn of the century home, which is exactly the same as when it was built with the exception of the addition of four bathrooms.  [Surprisingly, the interior walls of this house - and I mean EVERY interior wall - was two inch wide dark varnished board and that included the ceilings!]  Fortunately, these were the high ceilings you find in these types of houses to help with summer cooling.  I forgot to take pix of the house because I was so pottery crazy.  This was a great place to stay - comfortable and with a killer breakfast.  

However, I came to see pottery, and I conquered.  First, we toured the North Carolina Pottery Museum which was an interesting history lesson about pottery in this Piedmont Region of North Carolina.  To make pottery you need clay, and central North Carolina is filled with all types of clay deposits.  The pottery tradition started with the Native American tribes which inhabited this area.  They made coiled rope pots and fired them.  Every piece needed a five step process to complete, and every piece was functional.






The Europeans arrived in the mid 1700s, and some of the first arrivals came with pottery making skills which included using a pottery wheel.  They were thrilled to discover potter's quality clay for the taking.  Unfortunately, the early glazes included using LEAD.  The lead poisoned both potters and their families.  The below pictured plate is from 1780 and the cake pan is from 1830 - they both use lead based glazes.  The plate form and decoration is still being made today by contemporary potters.



As soon as lead was determined to  be poisonous, potters quit using this type of glaze.  However, the clay needed for the non-lead glazes was much harder to get.  It needed to be dug out instead of being collected by the shovelful on the surface of the land.  The new type of clay when fired was called 'stoneware' replacing the earlier clay called 'earthenware'.  Potters scouted out caved in sides of creeks and riverbanks (water is in abundance in NC) as the easiest way to find the necessary clay.  Clay digging expeditions were organized.  In addition to the right kind of clay, potters began using salt fired glazes.  If there was no convenient salt lick, then this ingredient needed to be purchased.  Salt was dumped into ports in a hot kiln containing the stoneware vessels.  This caused a gray dimpled glaze which looked like the surface of an orange.  The pot below was fired in 1850.


North Carolina pottery of the 19th century was completely functional.  Pottery was used for all types of plates and bowls, but also for canteens, foot warmers and grave markers.



Pottery making was the second source of 'cash' for a family farm after tobacco.  Thus, family run potteries have a long history in North Carolina.  One of first large family potteries run as a business separate and distinct from a tobacco farm was the Jugtown Pottery which is still in business today.  Here's an example of Jugtown pottery in the distinctive orange glaze. 


In the 20th & 21st centuries, pottery had a dual character.  The majority of pieces were still 'functional' and classed as a craft rather than an 'art'.  From the 1970's forward, more and more potters were creating studio pottery following the Japanese style - production of mostly functional pieces which prized uniformity of pieces together with the 'master potter' creating one of a kind studio pieces.  It hasn't taken long for these unique studio pieces to be classified as art by the art world and displayed in top museums. 

I've been collecting pottery since 1970.  My pieces are both studio pieces and functional pieces, and my favorite pieces are BOTH.  We went crazy in Seagrove.  I could have easily spent another entire day there and spent twice as much.  Fortunately for me, there are three large galleries in town which display and sell 90% of the 100+ potters working in the area.  I came away with a beautiful platter 18" long which is sea green and shaped like a tropical leaf; a blue jug with cascading glaze useful for gravy or salad dressing or juice for two; two magnificent coffee cups, so lightweight you can't believe they are pottery; a large round lidded display piece in forest green; two small display bowls; and a piece of lace pressed pottery about 3" across.  Oh, man, I had a good time.


If you are ever in the area, I recommend a stopover.  The big galleries are all clustered in town.  If you need more pictures and explanations, here they are: